Evaluation of the project

Having already completed the final piece of work for my Visual Arts project, I will now try to provide a complex evaluation of the workflow during its creation. The first was the investigation phase, which enabled us to find out what a mask is and how the different types of masks throughout various cultures have been developed. All of the prepared presentations were certainly very coherent and featured many interesting facts, which gave me a great deal of inspiration on how my mask could look. The presentations were divided into European, African and Asian cultural regions, each presenting the characteristic features of the regions' maskmaking process. Next, we have prepared our first design of a mask, a sketch based on the Kashubian motives and culture. It was a phase that would tell us how to use an inspiration later on during the project. In my opinion it was a very valuable lesson, since we have had our first attempt at designing a mask, which would help us during the real design phase. Then, we have made a try at using glue in order to make the basis of the mask, a condensed mass of paper on a normal sheet of paper. This would show us how to do it before we would create the mask on a real baloon. It was indeed a very good idea to do this beforehand, so that the final quality of our projects would be improved. Now we were ready to begin the project properly, so we have commenced that by producing three designs of the masks we were to make, inspired by various cultures. It was also an extremely important phase, since it enabled us to narrow down the single design that would serve as the  motif for the mask and start doing the project itself with a clear idea of what we were going to do.

 In the creation phase, we glued many layers of paper to a blown baloon, in order to obtain a sturdy form that would serve as a backbone of the mask and then detached the ready form from the baloon. Now, I was able to decorate the mask in my chosen way. I have decorated it using African motives and with the use of pastel crayons, in order to obtain the scratchy image that African works are often characterised by.

In my opinion, the whole project was remarkably interesting and original. It did not require any special manual skills in order to achieve the results that one wanted to produce. I have certainly developed much during the creation of this project, mainly because of the knowledge of basic mask types and ways of creating them that I have gained.

The finished project

I have finished my project and these are the photos taken of my complete mask. I have decided to use pastels on my mask instead of the recommended brush paint. There were a number of reasons for this choice. Firstly, it is more in the African style, the mask looks quite scrappy and has very vibrant, bright coulouring. Secondly, it would be hard for me to use so many colors in paint - they would easily mix together on the mask.

Design concepts

I have created three design concepts for the final version of my project. Two of the masks are inspired by the African tribal culture and one is an attempt at the Greek style of maskmaking for theatrical purposes (expressing fear).

A mask inspired by the African culture

Another project inspired by the African culture

A mask inspired by the Greek culture

Inspirations for the project

I have decided that I find African masks the most inspiring and that is where I will concentrate my design attempts. However, I am also quite fond of the masks used in the Greek theatre ,which are more detailed and therefore a lot harder to recreate. Nevertheless, I will try to create one design inspired by this specific style of maskmaking. Below I have provided a few examples of the inspirations that are going to influence my final project:

An African tribal mask with heavy ornaments.

Also an African tribal mask with intense colours.

An ancient theatre mask, expressing a certain emotion.

Kashubian mask project

This is my first project of a mask, an exercise before the actual process of creating different designs to use in the final project. The mask is obviously (to any Polish reader) inspired by Kashubian motives. The colour choice is very simple, the three basic colours are dominating and also worth mentioning are the characteristic spiral floral motives on the mask. It is an exercise that has taught me how to use inspiration in a creative project.

What is an inspiration?

To my mind, inspiration is a sudden break of creativity that a person can employ in the creation of a work of art. Literally anything can act as an inspiration, whether it is personally experiencing Michaelangelo's Universal Judgement of Capella Sistina or a casual chat with a friend.

Presentation notes

My notes, taken during the 3 presentations about masks around the world

The first presentation shown in class was concentrating on masks originating from Africa. It was very informative, presenting both the types of masks and methods used to produce them, along with their main uses. Similarly to Europe, the occupation of a maskmaker was on of the most sacred in Africa. The basic material for African masks was wood and valuable examples also incorporated elements made of copper or ivory. Sometimes, sacrificial blood was also an important ingredient for symbolical reasons. The masks often were modelled for animals, so to symbolize a union with nature. Nevertheless, the main area of employment of masks in Africa was ritual purposes. Their ceremonial role was most often to control the lone spirits of a tribe's forefathers.

The subsequent presentation was about the appearance of masks in Europe. It was very interesting and attention-grabbing, despite the fact that the presentation contained very detailed information on the topic. It has shown that the first masks used in Europe were of pagan culture, where they were used for rituals and represented wild animals. Also, an important appearance of masks was in ancient Greek theatre, where they were used for theatrical role-play. Later, the presentation describes the significant role that masks played in Venice, mainly during the carnival. Masks of that period were made with wax cloth and plaster, although silver, gold or other valuable materials were not uncommon in more expensive examples (usually made for usage during the carnival).

The last presentation was the one prepared by my group, it featured masks in Asian culture. Similarly to African masks, Asian masks also found their main use in ritual undertakings and shamanism (for example in Korea or Indonesia). However, for instance Japanese masks were mainly utilized in various forms of art presentation. Other uses include war (the Korean army used masks on soldiers to introduce the factor of fear into the battle). And perhaps the most well-known usage is in the Chinese opera, where exceptionally colorful specimens were employed.

A comparison between European and Asian mask making crafts

I have decided to compare certain types of masks that have appeared throughout the world's cultures. I chose to analyse two regions: European and African masks.

European masks

The masks made by europeans in more recent ages were mainly for theatrical use. In this area, they originated from the ancient Greek theatre, which was at its best from 550 to 200 BC. The masks of the ancient theatre represented everything from occupation, age or social class to emotions and the state of mind. In general, there were four types of masks, distinct for the emotions that they represented: fear, laughter, tears and anger. It was the main source of inspiration for the use of masks in the modern western theatre. However, in pagans' culture (which was culture that developed the use of masks) they often represented nature spirits or wild animals and were used during various rites. Also, one of the most prominent appearances of masks in Europe was in Venice, where they were a traditional component of the famous Carnivale. Later on, Venetians also wore masks beside that occasion, which gave them a certain degree of anonymity or signaled belonging to a group of people . There was for example the Medico Della Peste mask, worn by doctors (originally a means of preventing disease contraction). The Medico Della Peste also had a very distinct shape. European masks were in most cases made of wax cloth and plaster.

A Venetian physician wearing a Medico Della Peste mask.

 

 

 

 Source

: http://en.wikipedia.org/wiki/Plague_doctor

Asian masks

Asian masks vary significantly depending on their region of origin (this is due to the fact that this region of the world is dominated by islands and the different cultures had no chance to mingle). For example, Japanese masks are part of a very sophisticated theatrical tradition. The oldest of Japanese masks are the Gigaku. From that basis, the Japanese developed the Bugaku mask - a type of mask with moveable jaws. Japanese masks are also very light, to make it possible for actors to withstand very long performances. The Noh mask is the ultimate development of Japanese mask makers.
 

On the other hand, masks from Korea were inherently rooted in a tradition of shamanism and also ritual dance. Korea has a tradition of remembering the faces of great historical figures with the use of masks - "death masks". Masks were also used in the art department, particularly in ritual dances and theatrical plays. The Korean masks found their use during the war, where they served the purpose of scaring off potential enemies when they decorated the faces of soldiers and their horses. During shamanistic ceremonies they were used for burial rites in jade and bronze and for shamanistic ceremonies to drive away evil spirits. Probably the most notable of appearances of masks in the Eastern culture is the Chinese opera.  The colorful facial patterns that we can see today in the Jingju (Beijing Opera) come from opera masks that have been originally used in a very basic form of opera, performed without a stage or backdrops of any kind.

The Asian peoples have also used very different materials in their maskmaking processes. Mongols, for example, made masks from paper mache covered in velvet, which were used in the temples of Ulaan Baatar. 

A Japanese Noh mask. Source: http://www.floatingworldeditions.com/books/noh-masks-hell.html

Personally, I appreciate both European and Asian techniques of making masks. European masks are very often extremely sophisticated when it comes to the materials used. Europeans liked to present their financial status exterally, so for example Venetian masks were regularly decorated with silver or gold plates. On the other hand, Asian masks are more advanced when it comes to the technical aspects: the Japanese masks include moving parts and are overall very complex when it comes to decoration. If I were to make a mask, I would probably use the European technique. I am particularly inspired by the Venetian masks and in my opinion I would be able to make a better mask with the more 'standard' techniques developed by Europeans. 

Sources:

Presentations prepared by classmates

http://www.floatingworldeditions.com/books/noh-masks-hell.html

http://en.wikipedia.org/wiki/Carnival_of_Venice#Medico_della_Peste_.28The_Plague_Doctor.29

http://www.ehow.com/about_6639222_information-asian-masks.html#ixzz27sL5E7gP

http://en.wikipedia.org/wiki/Mask